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What to Watch: Starfleet Academy Brings Campus Drama to the Final Frontier

Reel Perspectives

January 17, 2026


Courtesy of Paramount Plus
Courtesy of Paramount Plus

Starfleet Academy brings bold new Trek shifts focus to cadets, legacy, and the uncomfortable work of inheriting Starfleet ideals.



🖖🏾🎓 Star Trek Goes Back to School — and So Do Our Expectations


It’s time to live long and watch as the latest Trekkie spinoff boldly goes where Star Trek hasn’t gone before: cadet school. This time, the focus isn’t captains or command chairs, but a new generation of would-be officers drawn together by promises of hope, optimism, and Starfleet’s carefully polished ideals.


If you’ve ever watched a franchise reinvent itself and thought, “I respect the ambition, but I’m a little nervous,” congratulations — Star Trek: Starfleet Academy was made with you in mind.


Holly Hunter as Chancellor Nahla Ake, Tig Notaro as Jett Reno; Courtesy of Paramount Plus
Holly Hunter as Chancellor Nahla Ake, Tig Notaro as Jett Reno; Courtesy of Paramount Plus

Under the watchful — and often unforgiving — eyes of their instructors, these cadets navigate blossoming friendships, explosive rivalries, first loves, and a looming threat that puts both the Academy and the Federation itself at risk.


And yes, for even the most dedicated of fans, that’s a problem. But Starfleet Academy knows exactly what it’s doing with that discomfort.


So consider this your orders, Trekkies: engage.



🚀 A Franchise That’s Never Been This… Awkward


Star Trek has always sold aspiration — to boldly go where no Vulcan, Klingon, Borg, or occasionally reckless human has gone before. Even at its darkest (Deep Space Nine truthers, we see you), the franchise usually knew where its moral center lived.


Starfleet Academy deliberately destabilizes that comfort from Episode One.


Holly Hunter as Chancellor Nahla Ake; Courtesy of Paramount Plus
Holly Hunter as Chancellor Nahla Ake; Courtesy of Paramount Plus

Early on, Chancellor Nahla Ake (Holly Hunter) reframes Starfleet service not as glory, but as accumulation — an idea the series returns to repeatedly:


“Tiny acts of service to your fellow cadets — a single stitch and another and another — until you have devoted yourself to something greater than you ever imagined, a tapestry that is Starfleet.”

It’s a noble sentiment, but the series is far more interested in what happens when that tapestry begins to fray.


The Academy itself feels less like sacred ground and more like a pressure cooker — a place where ideals are taught in theory and stress-tested in practice. That tension plays out most clearly through cadets who don’t fit cleanly into inherited molds.


Karim Diané as Jay-Dean Kraag, Kerrice Brooks as Sam; Courtesy of Paramount Plus
Karim Diané as Jay-Dean Kraag, Kerrice Brooks as Sam; Courtesy of Paramount Plus

Jay-Den Kraag (Karim Diané), a Klingon cadet whose instincts lean toward care rather than combat, quietly challenges expectations baked into both Starfleet and Trek history:


“A warrior does not let a friend face danger alone.”

That restraint feels intentional — a signal that this series is less interested in performing legacy than interrogating it.


It’s also where longtime fans begin to feel uneasy. Those expecting tidy allegories and episodic exploration instead get overlapping arcs, unresolved tensions, and characters who don’t always make choices that feel particularly Starfleet-approved.


But don’t get it twisted — that friction isn’t accidental. That friction, and the drama it creates, is exactly why this show is worth watching.



🖤 Legacy, Rewritten by the Kids Who Inherited It


What Starfleet Academy understands — and what makes it quietly radical — is that reverence doesn’t automatically transfer across generations.


These cadets didn’t build the Federation. They inherited it post-collapse. Their relationship to Starfleet isn’t mythic; it’s complicated, transactional, and deeply personal.


That tension lands most powerfully through Series Acclimation Mil aka “Sam” (Kerrice Brooks), the first of her kind to attend the Academy:


“Sometimes I feel invisible… but mostly awkward.”

It’s a line that resonates because Starfleet Academy understands visibility — not valor — as the real currency here.


That awareness extends outward through characters like Genesis Lythe (Bella Shepard), an admiral’s daughter determined to make her own name, who instinctively understands how power and access circulate long before anyone names it outright.


Paul Giammati as Nus Braka, Holly Hunter as Chancellor Nahla Ake; Courtesy of Paramount Plus
Paul Giammati as Nus Braka, Holly Hunter as Chancellor Nahla Ake; Courtesy of Paramount Plus

And then there’s Nus Braka (Paul Giamatti, who is clearly having the time of his life), the season’s antagonist, whose critique of the Federation refuses to stay safely theoretical:


“Time, with its infinite sense of humor, will always fall upon itself like an origami chicken. This moment is that chicken.”

When the villain sounds this incisive, Starfleet Academy isn’t positioning him as a simple threat. It’s positioning him as a question the institution would rather not answer.


The series isn’t asking whether Starfleet is good.


It’s asking who gets to define that goodness — and who pays the price when the answer changes.


🎭 Why the "Is this a Trek Show" Debate Won’t Die


For viewers looking for comfort Trek, Starfleet Academy can feel crowded, unfocused, and even unsure of itself. It juggles politics, trauma, philosophy, and campus chaos — sometimes all in the same episode.


But once you stop expecting the series to behave like legacy Trek, a different picture emerges.


This is a show about formation, not heroics. About how institutions replicate themselves. About whether ideals survive contact with real people, especially young people who are less interested in preserving myths than in surviving systems.


That’s why the show lands differently depending on who’s watching. If you’re looking for captains and certainty, it may feel like a miss.


BUT if you’re interested in power, legacy, and who gets shaped by them, it starts to click.


🖖🏾 Sixty Years In and Still Asking the Right Question


There’s something quietly audacious about premiering Starfleet Academy during Star Trek’s 60th anniversary year. Instead of nostalgia, the series offers reflection. Instead of triumph, it offers tension.


The callbacks are there — ships, names, mottos — but they function less as fan service and more as reminders of what’s at stake. The show knows the history. It just isn’t interested in worshipping it.


Courtesy of Paramount Plus
Courtesy of Paramount Plus

And honestly? That feels right.


Because after sixty years, Star Trek doesn’t need another reminder of where it’s been. It needs to ask whether its future still believes in the same promises — and who gets to define those promises in a fractured galaxy.


So yes, Starfleet Academy doesn’t always have the answers. But it sure knows that the question of belief, power, and inheritance is the one that matters.



Set phasers to play and catch the official trailer below:



Episodes 1 and 2 of Starfleet Academy are now streaming on Paramount+.

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